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Sonny & The Sunsets' NEW VIDEO Happy Carrot Heath Food Store | FESTIVALPHOTO
 

Sonny & The Sunsets' NEW VIDEO Happy Carrot Heath Food Store

‘Sonny And The Sunsets have been a reliable fount of smart but never dry guitar pop, and one could never fault them for their creative ambition.’ – CMJ

‘Long an influential presence on the west coast's thriving garage rock scene, Sonny Smith has assembled scene-defining compilation albums, put on DIY shows and, at his totally-analog home studio in San Rafael, recorded some the coolest new bands in town, like Cool Ghouls. On this new album, The Sunsets' always-catchy beach-pop takes a sharper turn toward 60s psych but, as Aquarium Drunkard notes, "There remains a backbone to Sonny's work rooted in letting all your weirdness out, even the darkest’ parts." – Hype Machine


Bizarre? Scrappy? Deranged? Sonny & the Sunsets’ latest record sees them in perhaps their strangest and most lyrically explorative phase yet.

A big soup of sonic ideas that wouldn’t normally be glued together, the songs on Talent Night at the Ashram make a large collage that mixes cinematic stories of fringe characters.

Initially envisioned as a film project, each song was originally a short film that, when strung together, formed a feature-length movie.

As Sonny Smith was writing the scripts and hiring the actors (even shooting a few of the clips), the scripts began to morph into songs.

Equal parts Fellini and Os Mutantes, Talent Night at the Ashram is cinematic in its storytelling and kaleidoscopic in its mixing and merging of musical genres.

On album opener “The Application,” Smith applies to be a human being to the tune of Beach Boys harmonies, ragtag beats and ‘80s synths.

“Happy Carrot Health Food Store” tells an epic saga of grocery store employees set to a soundtrack that takes listeners on a psychedelic odyssey with elements of jazz and a hallucinogenic sequence including a conversation with a girlfriend swimming in his beer glass, or is that a dog?

‘60s folk, electric sitars, flutes, and myriad other sounds help accentuate tales of professional bowlers in desperate need of a strike (“Icelene’s Loss”), a mansion that houses every woman Smith has ever known (“The Secluded Estate”), and Occupy meetings ending in bad love (“Secret Plot to Destroy the Underground”).

Recording was a communal effort mostly done at Smith’s home on this tape machine with musicians such as Shayde Sartin (The Fresh & Onlys), Garret Goddard (King Tuff), Kelley Stoltz, Rusty Miller, Ian McBrayer, and more.

Pairing uniquely off-the-wall stories with an ambitious musical scope, Talent Night at the Ashram finds Smith once again securing his status as one of today’s most arrestingly inventive songwriters.



Writer: Anthony May
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